Saz-o-Dohol, clarinet in b-flat and timpani,
2023, Texas Tech University, the US, Hamed Shadad, clarinet in b-flat, Kyle Buentello, timpani

Gerd-bad for clarinet in b-flat and fixed media
2023, Texas Tech University, the US, Hamed Shadad, clarinet in b-flat

Whispers of Papers
2023, Tech University, the US, Ali Balighi, electronics

A Song Below Water for alto saxophone, bassoon, timpani, piano and live electronics
2023, Tech University, the US, Ting Ting Goh, piano, Austin Perry, bassoon, Matt Fowler, alto saxophone, Dr. Michael Mixtacki, timpani, Brad Cawyer, conductor

Don’t Remember
2023, Tech University, the US, Hamed Shadad, clarinet in b-flat, Ali Balighi, Piano

Rumor
2023, Tech University, the US, Hamed Shadad, clarinet in b-flat, Ali Balighi, Piano

LAL-BAZI For Soprano, Bass Clarinet and Percussion (Tombak (a Persian instrument))
– 2022, New York (the US), Sputter Box ensemble

Rang-ha for clarinet in Bb and live electronic, 2022, 6’
– 2022, Texas Tech University (the US) , Vicente Pedroza, clarinet in Bb

Korsoo for Alto Saxophone, Tenor Saxophone and Fixed media
– 2022,the University of Oklahoma (the US), Parker Fritz, alto saxophone, Justin Evangelist, tenor saxophone

The denseness of loneliness
– 2022, the US, Texas Tech University (the US), Mysterium Ensemble

Still life (videoart)
– 2022, NoiseFloor, Staffordshire University (the UK)

Memory for Piano and Fixed Media (4 channels)
– 2021, Toronto (Canada), Anoush Moazzeni

“Who am I?” for Clarinet in Bb and Fixed Media
– 2020, New York (the US), Kathryn Vetter

Daramad for Tar (a Persian instrument) and Fixed Media
– 2020, Tehran (Iran), Golnaz Khalili
– 2020, the fourth annual ROCC (Research on Contemporary Composition Conference) at the University of North Georgia (the US), Golnaz Khalili

Daramad for Soprano Saxophone, Tenor Saxophone and Fixed Media
– 2020, the University of Oklahoma (the US), Zen Duo

Daramad for three Sopranos and Fixed Media,
– 2020, Tehran (Iran), Shaghayegh Bagheri, Behnoosh Sabet Ghadam, Negin Goodarzi
– 2021, 4th Tehran Electronic Festival (Iran)
– 2021, the New York City Electroacoustic Music Festival (the US)
– 2021, NoiseFloor at Staffordshire University (the UK)
– 2021, Audiovisual Frontiers festival at University of California, Riverside (the US)
– 2021, Sonic Matter festival in Zurich (Switzerland)
– 2021, Lift-off session Online film Festival (the UK)

On the threshold for Soprano, Santur (a Persian instrument), Tar (a Persian instrument), Piano and Fixed Media
– 2020, Tehran (Iran), the Other ensemble (Postponed for Coronavirus pandemic)


Khane Haftom for Santur and Fixed Media
– 2020, New York City Electroacoustic Music Festival (the US), Puneh Zare’i Sefid Dashti
– 2019, 3rd Tehran Electronic Festival (Iran), Soheil Tabatabaee
– 2018, WRCMS (Canada), Puneh Zare’i Sefid Dashti

Daramad for Piano, Violin, Bassoon and Percussion
– 2019, the University of Michigan (the US), Front Porch ensemble

Too loud a solitude for Cello and live electronic (Max/MSP)
– 2018, 2nd Tehran Electronic Festival (Iran), Ulrike Brand (Germany) and Ali Balighi (Iran)
– 2019, Sprengel Museum (Hanover – Germany), Ulrike Brand (Germany) and Ali Balighi (Iran)
– 2019, Vilnius (Lithuania), Twenty Fingers Duo

Chahar-rah for 6 laptops
– 2019, International Computer Music Conference and New York City Electroacoustic Music Festival (the US), SynthBeats
– 2018, Stony Brook University (the US), SynthBeats

A little Piece for Violin and live electronic
– 2018, Tehran (Iran), Neda Asadi Nejad

Walking in the darkness for Santoor
– 2018, Sibelius Academy (Finland), Puneh Zare’i Sefid Dashti
– 2017, 2nd Tehran Contemporary Music Festival (Iran), Puneh Zare’i Sefid Dashti

Daramad for Clarinet in Bb, Baritone Saxophone & Harp
– 2018, the University of Michigan (the US), The _ Experiment

5 Poems for Piano
– 2018, Krakow (Poland), Ludger Hofmann-Engl

The birth of tragedy for Santur (a Persian instrument) and Fixed Media
– 2019, Tehran (Iran), Puneh Zare’i Sefid Dashti
– 2018, 3nd Tehran Contemporary Music Festival (Iran), Ladan Sheikhi
– 2018, Ghent (Belgium), Puneh Zare’i Sefid Dashti

Daramad for Accordion
– 2017, Toronto (Canada), Michael Bridge